This body of work visually explores the influence of second-wave feminist art on the contemporary artist. Being a fan of feminism as a methodology for art making was devised by Catherine Grant in her essay Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art, in which Grant explores the definition of the fan and their obsession with the fan object, Grant makes a direct link between the contemporary female artists use of second-wave feminist artworks. This installation shows the documentation of artworks created by the dedicated teenage artist/fan. The installation accompanied the written dissertation A space to be seen and heard: The Legacy of VALIE EXPORT. The second-wave feminist use of new media as an art discipline in 2018.